Black Moth Super Rainbow shares new single, 'Baby's In the Void', Release Tour Dates

Black Moth Super Rainbow’s Panic Blooms, the latest disorienting dystopian masterpiece from the experimental pop arsonists that haunt the black-leaved Pennsylvania woods.

For the last decade, BMSR and frontman TOBACCO have explored the periphery of evil and extreme color, alternating between absurdly bright beauty and the slashed throat sinister. A sound impossible to replicate, as though it burst fully formed from a paisley-painted fire hydrant stationed in hell. They combine the aesthetically gorgeous with the hideously ugly to create a psychedelic uneasiness usually only seen in old oil paintings. What if Goya or Bosch made ravaged vocoder pop? Or a neo-impressionist painter committed himself to creating slow woozy earworms so iridian and vivid you’d think he sliced off an ear in the process.



We know scarcely anything personal about BMSR frontman TOBACCO. There’s his government name, Tom Fec. A few photos if you want to Google, most of them in a mask. He’s done enough interviews where he patiently breaks down the creative process and the ideas espoused, but has mostly resisted the soul-snuffing admissions expected from contemporary musicians. In that vein, he’s closer to a Boards of Canada, DOOM, or Aphex Twin—periodically visible but opaque—emotional but unwilling to exploit the self-mythology and cult that cropped up around him.


So maybe this is why Panic Blooms is slightly startling. Never before has TOBACCO been so raw or direct in his lyrics. It’s a f-ed up and bleeding account of depression and the shadow side of human frailty, full of gorgeous warped melodies that exist as their own genre, somewhere between late 90s Warp Records, dub, and chopped and screwed codeine drip. It’s not drug music, it’s dragged music, oozing through the muck of the present moment, past mutating the present, demon melodies filtered through the vain search for light.

Encoded in a syrupy fog, TOBACCO’s lines stab with more ferocity than ever before. From the first track, the knives are out and slashing with chimerical violent imagery: mouths bleeding from razor blades stashed in tangerines and the ominous sensation of feeling haunted. There are sunset curses and diseased plants, sunburn fevers and doomsday downgrades, pink apocalyptic suns and sinister omens. It’s reminiscent of the phrase used to describe surrealism: as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table.

Here we are in 2018, inhabiting a tumorous wasteland with singed nerves and synapses fried from scrolling for far too long. This is what the fear sounds like in its most pristine form. The floral bloom and the toxic wilt, the sound of dreams and nightmares reaching détente, a ride through the void, where the fumes offer all the anesthetic you need.

TOUR DATES

THU 5/31 WASHINGTON, DC Black Cat
FRI 6/1 PHILADELPHIA, PA Union Transfer
SAT 6/2 NEW YORK, NY Music Hall of Williamsburg
SUN 6/3 BOSTON, MA Brighton Music Hall
THU 6/14 CINCINNATI, OH Urban Artifact
FRI 6/15 DETROIT, MI El Club
SAT 6/16 CHICAGO, IL Metro
SUN 6/17 COLUMBUS, OH Skully's Music Diner
6/22 - LONDON, UK, Royal Festival Hall - Meltdown Festival*
6/24 - LONDON, UK Royal Albert Hall*
6/25 - PARIS, FR Olympia*
6/27 - AMSTERDAM, NL AFAS Live*
FRI 8/10 PITTSBURGH, PA Mr. Smalls
SAT 8/11 LOUISVILLE, KY Headliners
SUN 8/12 ASHEVILLE, NC Orange Peel
TUE 8/14 AUSTIN, TX Mohawk
WED 8/15 HOUSTON, TX White Oak Music Hall
FRI 8/17 ATLANTA, GA Masquerade (Hell)
SAT 8/18 NASHVILLE, TN Mercy Lounge

* = with Nine Inch Nails